Feedback from a professional is the lifeblood of great writing. You can spend years on what you think is an absolute marvel but without feedback from people who know what they’re talking about (not your mother, best buddy or 3rd cousin Jethro) you’ll never know if there are gaps in your plot or holes in your characters. All you’ll know – if you put the book to market without feedback – is that people aren’t responding to it. You’ll know that something is wrong, but you won’t know what.
Now of course, sending your novel or short story to a ruthless, picky professional can be damn scary, but if you’re scared to send it out to ONE person to read critically, how do you think you’ll handle putting that same work online or on Amazon for it be shredded – or even worse – ignored by the public!?
You have to grow to LOVE feedback. Seek it out. Find the toughest, meanest, glass-eyed editors and beg them to leave mercy at the door! Don’t ask people who love you for feedback. Your mother will tell you it’s wonderful. Your best buddy will take pity on you and get you drunk. Your 3rd cousin, Jethro will probably ask for a loan.
Go to the professionals. Ask for honest feedback. Then do the following to make sure you can do something with it:
ONE: Let your book go. You have to. Once you hand it over to a professional, you need to detach yourself from it. If you don’t, the feedback you get might feel horribly personal. But when an editor says – your characters are weak and limp. She really is saying YOUR CHARACTERS are weak and limp. Not you. But if you are too entwined with your book, you’ll risk taking feedback personally and it could break you.
TWO: Listen! This is important. Really listen to what a good editor has to say. These people have read, reviewed, studied, considered, edited, re-written hundreds of books and short stories. You have written… what? How many? One? Three? Maybe 10 if you’re on a roll? A professional editor knows their beans. Listen to them.
THREE: Take their recommendations seriously. Don’t just THINK about them. Implement them. What’s the point of great feedback if you’re going to ignore it?
FOUR: Think for yourself. On one hand I say listen and take the editor’s recommendations seriously, but you also need to think for yourself. The very first novel I wrote (never published – still on a shelf) I included every suggestion the editor made. It ended up not sounding like me at all. So listen to everything, then do rewrites based on the feedback, not mindlessly including it.
FIVE: Make sure you give your best work to the editor. Don’t give your book or short story to an editor because you can’t work out what to do next. If your plot or characters are broken, do the work, fix them, then get the editor in. Your name will be on the cover after all.
Bottom line… Grow a thick skin! Feedback is part of the process. Don’t shortcut the process.
Happy growth spurt today!